Raices to Roots Poetry
By Logan Lu
Ancestors
Islands to alleys
Abuelas whispers
And ancestors chanting
Their breathe
A current
That guides me
To define our own history
They tell me love stories
Like when Alex and Jessie held hands in the park
Watching the burning august sun disappearing behind the lagoon
Staring into each other’s eyes
His, the colors of the skies
Hers, the colors of coffees
Across the sea
And over the plains
Clouds of heritage
Rain our forbidden knowledge
In a wave they whisper the names of women
Who carry us on their backs
Like trees that hold homes fo the leaves
As they wait for the water to soil their roots
Abuelas’ hands are soft
Except for the callouses
She kisses
My forehead
Death,
Only comes if we don’t remember
The experience of our skin
That wraps our traveled bones
These streets we call home
They Erupted
When we demanded our rights!
A storm tried to destroy us
The earth shook our homes
The invaders attempted to extract our roots
For days, and years, and generations
We, who come together under one flag
No matter where we land
We, who still feel the Spaniards sword
Piercing the heartbeats of African drums
We dance like children on stones carved from Taino dreams
In the highest peak of Jayuya
We, in abuelas house
On a cold street in Chicago
A reflection of our own
I ask for guidance
She motions toward home
La Cocina
Abuelas favorite room at home is the kitchen “La sangre llama” abuela says
Her accent is one of the last sounds left
50 years of tough city living
Got her reminiscing
Of a warmer place
Maybe that’s why she likes to spend so much of her time
En la cocina
This is her time capsule
Childhood memories come back to her every time
she
sprinkles
seasoning
Here she offers advice con sabor
Soul sofrito con amor
En La cocina- is where abuela
Sits next to the window of our 3rd floor apartment
I could swear she was looking at the city’s snow covered rooftops
Like they were the rolling green mountains of Adjuntas
The window in our tiny cocina
overlooks an alley
A gallery of hood stories
Where she would see Tony and Jorge playing the art of catch
Jessica and Lucy playing tag
And Andy hunched over behind a dumpster doing the junkie dance
Oye, ven a comer
The mornings were coffee
Strong
It was her sunrise ritual to awake the senses
A can of bustelo sits next to the stove
While having her pan con mantequia
The afternoons brought bacalao frying
The sizzles sounded like a crispy ocean
abuela plays music while she washes dishes
The faucet sounds like a waterfall
Salsa is dripping from the alarm clock radio
She dances with the mop
abuelas cocina is where I learned how to speak Puerto Rican
Sofrito-
Pilon
Malanga
Yuca
Machuca
And I wait patiently for my food
Letter to Abuela
Her food fed my soul like a hand-written letter from that was sent from heaven
Abuela this letter is for you
For your sore back and sweat
You open up your home
With love and grace
The food you place on the table is made with your hands but comes from your heart
No matter how tired you are
You patiently rock me to sleep
While caressing my face
And though I still may be drifting, in your arms I am dreaming
No, don’t let me go, take me with you
Over the ocean, around island
And back to your embrace
Abuela you are happy to give
You are a whirl wind
of generosity
Even when your body
may be hurting
and delicate
You still
Provide
You hold no hate
All the family grudges
Die, on your birthday
We come together
With flowers
on the holidays
just to see your face
Our queen,
You let the grandchildren play
On the floor
Their innocence comes in waves
And with each passing day
You watch over us all as we grow, mature, become adults
And fly away
But your always there to bend down and pick us up
And rock us to sleep
Ever so gently
With soft lullaby’s
From the island
You are soothing like sage
Until heaven
calls your name
Secrets
But abuela could not always protect us from the scorching heat of the city
Or the freezing brutality felt inside the home-
shhh—the secrets the family hides
can sometimes come to light
As the pain strikes stronger on lonely nights
When we ask why
The hood wasn’t always good in the streets
Nightmares still stalk our memories
At times I was too scared to speak
The only one I could count on was me
Raising children in a cold dirty city
Is very different than in the Caribbean heat
Lessons we learned in apartment buildings
Have taught us not to sleep
Those closest to us
give us the most hurt
Then you have no one
And that is even worse
The lost kids on the streets
Cry for their heroin addicted mamis and poppies
Searching for money among the beasts
And shaking like zombies
Needles and pipes
Ravage their skin
Slowly taking their life
Killing them from within
The drug dealers on every corner
That poison our people
Are often the local gang bangers
A familiar evil
But the reasons why
They join in the first place
Because their innocence has died
And the world has shown them nothing but hate
But the trauma in the streets
Is not the worst that we own
The most devastating experiences
Happen inside the home
Innocent children
The joy and future of the family
Have to keep the dark secrets
of what happened to their little bodies
Some scars we could not see
They were very hard to find
The family always wanted to hide
The illness of the mind
The abusers were often victims too
A quiet cycle of violence
That punishes and continues
Drugs, gangs, mental illnesses
Some used this for survival
The results of foreign oppression
Mixed with the demons
From the machismo of our culture
The pressure for men to act
Like they are superior
It is the mothers, daughters and sisters
That defend and care for us to the end
Our survival is dependent
On all the women
Listen, Witness, Don’t Touch
Poem by Claritza Maldonado
In what direction is south,
north,
east,
or west
when there is a map in my back—in my spine?
when i sit still, back vertical and arched
my bones point towards the heavens and the grounds
landed and levitating woman,
i make my worlds
where i sway my hips and the sidewalks don’t talk back
or blow kisses
free & dangerous woman, I am
listen, witness, don’t touch
we have designed black geographies stitched by oceans
for every country we lose, we build a universe
just like my mother did
we know the roots underneath our grounds like the veins on the backs of our hands we’re the black
and brown women who spew fists out of our pores from Chicago to Humacao
free & dangerous woman, I am
listen, witness, don’t touch
people will question: how do you know so much?
i’ll tell them the women of my life have circled and danced the moon,
i’ll tell them the names of the black and brown women this violent world has taken
i’ll tell them about my abuela
and how she had the softest hands and the strongest side-eye that could make constellations from
Jayuya to Hermosa
i’ll tell them my gut knows just futures because it knows obituaries and memories
free & dangerous woman, I am
listen, witness, don’t touch
May I Have This Dance?
Part 1
When we met it was 2000 and something
She was a graduate of Clemente
And I, a graduate of the streets
It was a dark sweaty smoky basement house party
Where we would meet
I saw her from across the washing machines
Her huge hallow hoop earrings
Reflected from the dim illumination of the lighters
After everytime somebody sparked one
I had seen her before
In the winter waiting for the # 72 North Ave
In the Spring going to church with her family
In the summer at Montrose beach
In Autumn her outfit would always match the holidays
But she wanted nothing to do with me…
She said I was taboo
And it wouldn’t be right in her family’s eyes
To be with someone like… me…
Who is actually like her…
Even though we were both from Ponce
But at that time it was not to be
As the years passed
We kept on running into each other by chance
But that’s because our favorite thing to do is dance!
house, salsa, freestyle, trance
just her and I and the night
And after some laughter she finally said alright…alright
But first we gotta meet in the daylight
I bought her a café colao
From Division
At 8am
Because that was the only time she had free
After dropping off her child at school
And right before her 9am meeting
A morning walk through the park
While sippin’ on coffee
Became a daily routine
Along with the late rendezvous
On the dance scene
But she said she knew lovers like me before
Promises of eternity only lasts as long as the good times
And how did she know that I would be there through all of it
From the passion to the pandemic
She asked will our love persist?
And I turned off the lights in the apartment
And I lit the candles
And I put on some music
And I asked her a question
Part 2
May I have this dance?
I’ll take you by the hand
And look into your eyes for approval
Your smile will say yes
And mine will say please follow me
I don’t care of the whole club sees us
Or if we dance in our socks in el comedor
This! Is a commitment
Salsa songs are like 10 minutes long
This ain’t no 3 minute reggaeton track
I don’t just want to grind on you
I want to dance WITH you
Now don’t get me wrong, I want to grind on you too…eventually
But after we have established our steps
I want to be your partner
I want you to be my partner
To twirl you into my arms
And catch you before you fall
Our bodies moving as one
In unison
Flowing with the music
Liberated,
Like Caribbean islands
Dancing,
Like we won our independence
I want the whole club to say they DAMN must’ve been partners for years
The band to play for us only
The rhythms of the congas will beat in our blood
From la clave that pumps in our heart
Let the blaring horns guide our hips
While our feet glide like the keys of the pianist
Yo no se manana but I know that I gotta be with you
Because Amores Como El Nuestro
Should not end when the song does
Baby Tu Amor me hace bien
And I know because I cannot stop smiling when we step
I am losing my breath!
But I know I’ve hurt you
I stepped on your feet a few times
We’ve bumped heads on the turns
Excuse me for dancing too close
When I should’ve kept my distance
For holding you from the waist
When I should’ve held your hand
For breaking our dance before the song was over
There were times when I didn’t look at you in the eyes
I was too worried about my feet
But I don’t want another partner
I want another dance
With you
One that will continue even after the song is over
Getting better as we get older
Dancing to the beats of our pulse
Dancing just to feel our fingertips
I want another dance with you!
So I’ll take you by the hand
And look into your eyes
And ask
May I have this dance?
Fire on Division
Our relationships are strong because we build from our struggles with bricks of love and community.
Even when those struggles are deadly
BANG CRASH BOOM BURN
The fire was raging, and it was our turn
The streets poured with Puerto Ricans
The deafening sounds of police sirens
The gun shots that pierced through the night
With the smashing of street lights
It was like the roar of lions
This war they called 1966 riots!
The years of being beaten by police
and treated like 2nd class citizens
Had finally erupted into a fire on Division
The fire rages to date
A battle against hate
A constant fight
To be accepted by the whites
The greater evil
Is betraying our own people
The fat and rich
Push the poor and sick
We struggle to stay in our homes
Even the ones we own
like the music we play
We are loud and will stay
Ricanraderie
Maybe it’s that miniature flag hanging from the rear-view mirror
That chacho broder
The cruising down Fullerton in June halfway hanging out the passenger side window
The smell of garlic still on your clothes and hair after you left the restaurant
The blended rainbow family walking together to church
That Palo Viejo rum half pint in your back pocket
The salsa Sundays
We know each other
Maybe it’s the familiar features in your face
That face from Caguas
The nose of la familia Torres
The Lugo eyes
The smile of the Irrizary’s
The tired travels of your family
In shown in the posture of your body
Tell me
I know you. And you know me
We got the same barber
On Kedzie
And he always late and talks too much
Especially when you’re late to work
That drop of the S in our Spanish
That L in our R
The map on your back
Because of the history your carry
The gold cross on your neck
The celebration of los 3 Reyes wearing winter coats
because it’s January
in the unforgiving Midwest
Can it be
The rivers of San Lorenzo have crossed and landed onto O’Hare airport
Took the blue line, got off and washed our feet leaving behind the sediments of
Caribbean soil
The undertow begging us back
But our feet with our flag planted peacefully in the concrete of the cracked sidewalks
The vast caldero left on the stove. There’s nowhere else to put it
We are one people
WE smile with each other when we recognize the adobo
In our words
We share
A common bridge built with the
hopes of our loved ones
that the brick buildings and relentless weather
is worth the trade
from the green mountains and clear rivers
here we met in basement juke jams
on the streets of summer festivals
catching each other in a dance circle
to house or hip hop
walking through alleys for shortcuts
hearing Dominoes smacking with defiance
on wooden tables
from backyard birthday parties
here home adapted to us
no words need to be said
la conexión
Is this why our pride flies
Somos pocos pero somos grandes
Nuestra gente
With sacred symbols from taino petroglyphs
Tattooed to our veins
Informs the innate way
We move……
We speak…...
So we can find each other
Oceans away
Tell me your name
I tell you mine and the town I’m from
And the hood I’m from
Like I’m Luis de Levitown
And Logan square
And you’ll tell me about your cousins
Who are also from there
No ketchup on your hotdog
But maybe on your pasteles
Block parties are the best
The fire pump popped open on sweating days
And Like a waterfall in el jungue
It Blesses us all
Bomba will beat
In store front spaces
Fogging up the windows from the
Breath of the baile
The dancers directing the drums,
Demanding! we dig into the depths
Of our origins together
This is how we know we know each other
When we hear Eli Samuel’s barril
Transmit the spirits of Africans
To Chicago
We cannot help but feel the flashbacks
Of our land
And after the music has stopped
And the dancers are still
And sun has slept
Our hearts remain connected
To the cement
And To the sand
And to each other’s heartbeat
The Elements
La clave that carries us through time.
Oldest of the instruments.
She crosses the ocean from Africa
In the still of the night she is our heartbeat like the familiar sounds of a 1000 coquis
The congas we feel in our bones. The rumble of memories that vibrate through our homes
Messages of resistance sent with rhythms passed down through the generations
The piano delicate and thunderous, spreading our sound,
as it found
it’s way into Chicago
Our diaspora continues to follow
wherever we sprout
These are the elements that make up the song of our DNA
Weaving and threading our stories with harmony, rhythm and verse
The music that will travel around the world
Forever in flux, but always rooted in
our journey planting seeds everywhere we go
From the lake in Chicago
To the beaches of Puerto Rico
To the stars in the heavens
And everywhere between
Our song will ring
Passed down from you to me
Like rain giving life to the trees
But the dancers,
The embodiment of our joy and struggle
Carry our music through their bodies
Interpreting our stories
For the world to feel
The dancers,
with the fire and love
Of our ancestors
They dance! On the floors
That grow from our roots